When I was a child, I liked nothing better than to creep into the
dark recesses of my parents’ closet, pull out the picture album, and pore over
pictures of my mother when she was young. She was foreign, nearly exotic,
in those already aging photographs with her permed 30’s style hair and wide,
bright eyes.
I crouched over the dusty album, trying in vain to connect the
beautiful young girl in the photographs to a mother who at that very moment was
laboring over a hot stove, preparing a meal for her farmer husband and crowd of
unruly children.
My favorite photograph, the one that held me captive with silent
wonder, was of my mother in dark sweater and plaid skirt perched on a woodpile
in an unknown and unfamiliar woods. How old was she? 17? 18? 20? What color was
her sweater? Her skirt? What made her eyes flash so?
I had only known her as a cleaning woman, wash woman, cook,
24-hour guardian determined to make wayward children behave. I had seen her
shucking corn from the garden, plucking feathers from freshly slaughtered
chickens, painting the walls of the house, fashioning slipcovers or clothing on
a treadle sewing machine when the children were abed and the only sound was the
click of the machine and the call of frogs through the open window.
I had heard the creak of the floorboards as she went from bedroom
to bedroom, tucking covers about children in fitful sleep; watched her figure
and refigure the grocery list in a vain effort to stretch the money to buy all
that was needed. I have felt her kiss me goodbye and hello and all the other
times in between for no particular reason.
But I have never seen her perched on a woodpile in a forest in an
unlikely sweater and skirt, flashing smile lighting carefree expression.
Other pictures in the album were just as impossible; my mother in
in her 20s wearing winter coat and French beret; as a child spindly legged and
thin, leaning into her mother’s aproned side; posing on the running board of a
huge, ancient roadster beside the much loved sister who died young of
appendicitis.
Today, my mother’s black hair has turned to white, her face marked
with more than nine decades of living. She is no longer the young girl in
the picture album and I am glad. I no more prefer that beautiful stranger than
I prefer an empty canvas to a rich and colorful masterpiece; or smooth bland
marble to a carefully hewn sculpture. I yearned toward the young girl when I was a child and knew no
better. I yearn now toward the woman, the mother, the grandmother, the great
grandmother and great-great grandmother she has become.

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